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Mark Wessel (musician) : ウィキペディア英語版
Mark Wessel (composer)
Mark Wessel (March 26, 1894 – May 9, 1973) was an American pianist and composer.
Wessel was born in Coldwater, Michigan, and graduated from Northwestern School of Music, now known as Bienen School of Music; he later taught piano and theory there. When Wessel left Northwestern, he became a professor of piano and composition at the University of Colorado in Boulder.
Wessel was a former pupil of Arnold Schoenberg. He was twice awarded Guggenheim Fellowships, in 1930 and 1932. He was also the recipient in 1930 of a Pulitzer Scholarship to further his education in Europe . In the 1938 contest of the New York Philharmonic-Symphony Society his choral-orchestral work ''The King of Babylon'' won honorable mention, while his former student David Van Vactor won the competition with his Symphony in D (; ).
He died on May 9, 1973 in Orchard Lake, Oakland County, Michigan .
==Selected compositions==

*''Adagio'', for orchestra
*''Allegro pomposo'', for two pianos (pub. 1982)
*''The Amorous Peacock'', for piano
*''Ballade'', for solo violin, solo oboe, string orchestra (1931)
*''Ballade'', for violin and piano (1937)
*Concertino, for flute or violin and chamber orchestra (1928)
*Concerto, for piano and orchestra (1941)
*''The Day Is No More'' (words by Rabindranath Tagore), for voice and piano (1919)
*''The Departure'', for orchestra (1922)
*Etude in G Minor, for piano (before 1947)
*''Feminine Conversations'' and ''Promenade of Respectable People'', for piano (pub. 1931)
*''The King of Babylon'', for mixed chorus and orchestra (1933)
*''Holiday'', overture for orchestra (1932)
*''The Hour Comes When One May Question Fate'', for orchestra (1922)
*''Lento Fantasia'', for horn and piano (pub. 1941)
*''Meerestille'' (words by Nicolaus Lenau), for voice, viola, violoncello (or horn in C), and piano
*''1945'', for orchestra
*Nocturne, for piano
*''Original Theme and Four Fantasies'', for horn (1979)
*''Plains and Mountains'', for violin, cello, and piano
*''Poem'', for orchestra and piano solo (1924)
*Prelude and Fugue, for string quartet (1931)
*''Prisms'', for two pianos
*Quintet
*''Sacred Dances'', for piano
*Scherzo, for horn and piano (pub. 1941)
*''Scherzo burlesque'', for piano and orchestra (ca. 1931)
*''Seven Ages of Man'', for orchestra
*Sextet, for woodwind and piano (ca. 1931)
*Sonata, for four horns
*Sonata, for violin and piano
*Sonata, for cello and piano (before 1947)
*Sonatine, for piano (before 1937)
*''Song and Dance'', for orchestra (1933)
*''Southern Tour'', for piano (pub. 1982)
*String Quartet no. 1 (1931)
*String Quartet no. 2 (ca. 1938)
*''String Serenade'', for solo violin and string orchestra
*Suite, for large orchestra (and baritone voice in second movement) (1928)
*Symphony (1932)
*Symphony Concertante, for piano and horn with orchestra (1929)
*''Theme and Variations on "I've Got a Gal in Summer School"'', for two pianos, organ, and orchestra
*''Two Concert Pieces for the Piano'', "Green River" (Symmetrical Toccata) and "Isle Of Death" (pub. 1926)

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